Et Tu Brucé (interview)

“West London meets West Coast”. Sweet Sweet Music talked to Jamie White about the new self titled record, the sound, Split Enz, adding a middle 8 quickly and being in between albums.


How did you record ETB?

We had recorded our debut album ‘Suburban Sunshine’ at Bonafide Studios in London, and felt very much at home there, returning to record the new album either side of our American tours.

There was a wealth of material to pick from, but we took a little longer finishing up. Unlike previous studio sessions, we were a little more sought-after and suddenly aware of the expectations and demands on time.

Some songs we started recording were held back as they didn’t appear true to the album. It’s important that a collection means something, has some connection to the collaborative feel, rather than being forced into consideration.

It’s easy to do, new always sounds better when you’ve lived with songs for a long time, but we took our time and tried to deliver without prejudice.


A song like The Light sounds like it has been around for ages (that’s a compliment). Did you know you had something during writing and recording?

Thanks! From both sides, writing and recording, we knew we had a single in the making. It was an attention grabbing, high tempo upbeat song, which made us all smile. Once recording was finished it became the firm favorite for the album opener and set-closer. I felt it was going to excite when I started writing it.

The music flowed easily, and everything aside from the middle eight came out in one parcel, from the intro to the end section. Having the lyrical hook, title and music was encouragement enough, and within a day I played it to Mattie (O’Toole, former guitarist) and we finished writing the lyrics and added a middle 8 very quickly.

Through recording it sounded great. It didn’t grab any more attention than other tracks, but that was probably because we were so committed to creating an album instead of hammering out a group of songs.




Naming the new record ETB. Does that mean you have found your sound? What changed since Sub Sun.?

We have never knowingly searched for a “sound”. Our individual influences and varied musical backgrounds can be heard through the music, and comes together organically to create the ETB personality.

The self-titled album was something we always wanted to do, a ‘this is us’ statement hopefully without the pomposity sometimes attached to it. The main changes of note from the 1st album were the personnel, with Siôn joining to replace Mattie.

Many of the same engineers worked on the album, although Elliot (Boothe, ‘Suburban’ cohort) had moved on by then, and Peter (Keeble, who mixed ‘Suburban’) took a job outside music .

The experience gained from recording the 1st album helped polish our techniques and create a finer 2nd



She tells you she will decide on a 5 song mix tape if there’s going to be a 2nd  date or not. Which 5 songs?

Son of a Preacher Man – Dusty Springfield ,

I Got You – Split Enz,

Always the Sun – The Stranglers,

Dead Flowers – Rolling Stones,

Sweet Is The Night – ELO.

I think I’d keep the tape myself, and spend the evening in.


If you could tour the world with two other bands, who would they be?


Iron Maiden (because they fly their own Boeing 747) and ELO (because it’s Jeff Lynne). However, we’d be open to offers from anyone.


What will 2017 look like ? How will you promote ETB?

2017 is hopefully going to be the year of the festival for us, and playing over the UK and Europe.

There are still two singles to come (including The Light) but we are close to being ‘between albums’ that period of time where the new material starts to become too electrifying to ignore. T

here is a stack of demos for the 3rd album, being added to regularly. The only question is whether to make it a double album or not?

BUY here


THE SQUIDS – Oh Shrek Yes

Lolipop relased The Squids’ Oh Shrek Yes recently. Sweet Sweet Music talked to Tony Infante about their ‘foggy sparkly buzz/ heavy bass sunshine sound’, songwriting and John Fogerty.


In an era of noise and anger its a treat to hear an album so craftily put together and well-arranged, wrote Daniel Sweetland @larecordmagazine.

You weren’t aware of that during recording or were you?

We weren’t intentionally making something as a response to other bands or a popular current sound, we just wrote songs and recorded what came out naturally! 🙂 Also, I would argue that stuff can be noisy and angry and still be craftily put together/ well-arranged!

You recorded at Lolipop studios. Lolipop’s own Wyatt Blair was producing. What did he bring to your sound?

Wyatt helped us get that sparkly buzz/ heavy bass sound on the album, we used his fender champ for the lead guitars and the jazz chorus 120 for the organ, it sounds insane and I love it!


These songs weren’t written on an acoustic guitar, were they? How do your sings come together? How / when does that foggy, fuzzy sunshine sound appear?

Some of them were written on electric guitar, acoustic guitar, organ, it happens in different ways! Usually I have chords/ melody/ arrangement in mind and we fine tune it with the band. The foggy sunshine sound is just how we sound when we play, then accentuated by Wyatt’s magic fingers!

She tells you she will decide on a 5-song-mix tape if there is going to be a second date. Which 5 would you put on?

1. “I Love Twins” The Coors Light Band
2. “Temporary Secretary” – Paul McCartney
3. “Zombie Jamboree”- Rockapella
4. “Centerfield” – John Fogerty
5. “America” – Uncle Greg

These songs are all really important to me and if she didn’t like the mixtape she can go die.



How will you promote O Shrek Yes?

Playing shows! Getting blogs to write about us! We still have no idea how to do either so please help us!

Buy here

SUNSHINE BLOOM – Power Pop is Dead

Sweet Sweet Music is blown away by Sunshine Bloom’s Power Pop is Dead ep. Do we hear Boston covering The Knack? We talked to this young band from Birmingham (UK) to find out what is happening.



Listening to The Spark and I am wondering if I hear Boston covering The Knack. Will you take that as compliment?

We certainly will. For that song we wanted something edgier and a bit more angular like The Knack but with the same strong pop melodies that you would find in say a Boston song. We love both bands and used to cover The Knack occasionally in our live shows. This song works really well as a set opener and gets people up and dancing from the get go!

Or ELO covering an old Nick Lowe song. Or … is that what you with Progressive Power Pop?

I love that idea!!! Two great bands and massive influences on us. Rob (our guitarist) in particular is a big Nick Lowe fan. He’ll be pleased to hear that. I think it’s great that you can hear the eclectic mix of genres in our music. This was always our aim…we never set out to be a particular type of band, we just want to write good melodic music that we would like to hear. The progressive element is key too, we like to push a few boundaries!

The quality of the song, the quality of the sound. For me, it is hard to image this isn’t produced by a band that has been around for ages and/or has been in touch with world fame … where does this all come from?

We have played a lot of gigs which I think is key. You hone your craft at live shows and learn what works well and what works less well. The audience let you know there and then which songs work and which don’t. Being in touch with your fans is really important, they have to come along for the ride! Some of the songs on this EP have been a long time in the making, we wanted to ensure that we were super proud of what we released which we are. We took our time. Given also that we did the whole thing ourselves and didn’t spend any money on creating this EP, it’s great to hear that you think it sounds so professional. It has been a labour of love.


She tells you she will decide on a 5-song-mix tape if there is going to be a second date. Which 5 would you put on?

OK, so we have put this to a band vote, each member can pick one song and we can have 1 whole band choice.

We decided on the following:

  1. New Mistake by Jellyfish (James – Vocals / Bass)
  2. She’s Gone by Hall and Oates (Shaun – Keys / Guitars / Vocals)
  3. My song is Take Me Down To The Hospital by The Replacements (Rob – Guitars / Vocals)
  4. Gone is Gone by Gift (Jack – Drums)
  5. Uncle Albert / Admiral Halsey by Wings (Everyone)

How will you promote Power Pop is Dead?

We launched the EP at the end of last year to a packed out show in Birmingham (UK) which was a huge success. We are now busy pulling together dates around the UK for the first half of this year including a slot at the prestigious IPO Liverpool at The Cavern Club. Hopefully this means that as many people as possible get to hear our music. The EP will be for sale at the shows and can be downloaded / streamed now from all the usual places. We are also working hard to get exposure in blogs like this where we can get our music out there to an audience who share the same passion we have for great Power Pop.

Is it ‘dead’ like Rock and Punk and Blues ?

Ha! I think the name of the EP was meant to be tongue in cheek, releasing the most Power Pop style EP under a title saying that Power Pop is Dead. For me it’s less of a question around a genre being dead as asking was it ever really alive. Things ebb and flow, one thing morphs into another and that’s gotta be a good thing right?


Listen on Spotify



Follow here



Tales From A Punk Rock Road Trip

The B-Leaguers and Hooligan Crooners met up…over a pint or two … and decided to do a split mini album. It’s called Tales From A Punk Rock Road Trip (release end of March 2017).

Sweet Sweet Music talked to Barry Phillips (Hooligan Crooners) and Jim Styring (B-Leaguers).

What can we expect?

Jim: ‘Tales From A Punk Rock Road Trip’ Good, honest punk rock and roll!

Barry: ‘Tales From A Punk Rock Road Trip’ pretty much builds on our first two EPs “Hell Yeah! It’s Hooligan Crooners” and “From Paradise To Halfway”. People said we’d found “our sound” with the second (From Paradise…) and I think this is more in the same vein…hopefully as good or better!

A split mini album, how did this came together?

Jim: We’re good friends with the guys from Hooligan Crooners and both bands share similar influences and sound. We knocked a few ideas around, but knew from early on that we’d like to do something together. A split mini LP was suggested, and we all agreed it was a great idea. ‘Tales From A Punk Rock Road Trip’ is the result, and we’re all very excited for people to hear it!

Barry:  It started as a social-media love-story…Internet dating! We run PWVA Records and were looking for other bands we could release on the label. The initial idea was that we would sign bands from mainland Europe but I heard Rock’n’Roller Tunes (via Facebook and YouTube) and was blown away. The guys from B-Leaguers sent me the first LP, we met up…over a pint or two and it was a done deal. We share the same philosophies and values.

Did you try to create a whole or do these songs just easily connect, without trying too much?

Jim: We wrote the songs separately, but there’s a natural connection there, as we listen to, and are influenced by, the same kind of bands. Big singalong choruses, with the punk rock DIY ethic.

Barry: It’s all organic and nobody is trying to force an issue or create a “concept” album. It just seems that the bands have similar influences and approaches both to song-writing and recording. Actually, it’s difficult to say how much is due to “influences”. Hooligan Crooners rarely “deliberately” write something in the vein of [x]. We just write things on an acoustic guitar and then we play them in the way we enjoy playing and would like to hear. That said, there are some very obvious nods in the direction of quite a few bands…that usually manifests itself in arrangements, particularly in the recording studio. And we have absolutely NO problem when a reviewer says “sounds like The Boys, Generation X, The Clash, Social Distortion etc etc”. That’s a huge compliment.

How will you promote the album?

Jim: We play a couple of shows with Hooligan Crooners in March/April, while the guys are over here in the UK. The official launch of ‘Tales From A Punk Rock Road Trip’ will be at the Mulberry Tavern, Sheffield, on Friday 31st March. The following night, Saturday 1st April, we both play the Punk & Disorderly Festival, Salisbury. And there’ll be a new song and video out from both bands very soon.

Barry:  A short tour (4 dates) of the UK at the end of March and beginning of April. A couple of those dates are with B-Leaguers (The Mulberry Tavern, Sheffield for the official album launch on March 31st and Salisbury Punk & Disorderly Festival on April 1st) and we are really looking forward to those. Then we have some dates in France in early April. In September and October we will be playing in France, Germany, Switzerland, Netherlands and perhaps even returning to the UK. We’ve been lucky and had quite a lot of radio play with the first two EPs so we’re hopeful that both bands will get our fair share with “Tales From A Punk Rock Road Trip”.

Watch here and here

HURRY – Guided Meditation 

Hurry released the best record of 2016 according to The Power Pop Show. Sweet Sweet Music talked to Matt Scottoline about the need to be mildly psychotic, sensing a strong melody and Teenage Fanclub.

Sweet Sweet Music discovered Guided Meditation this week. (Blown away by it). It has been out for quite some time now. There even is a new ep. Is that the way the music industry works nowadays? How do you look at the music business? 

I don’t know if it’s specifically how the industry works now, but I do think there’s a feeling of urgency if you’re a musician sometimes, where you want to share the music as quickly as you can. Unless that’s just me. The band is named Hurry after all. The music business is very strange. It isn’t really designed for a naturalistic approach these days. If you want to make it happen, you have to be mildly psychotic, or very lucky. That’s pretty much the only way. I try and ignore it as best I can. But it can be difficult. 

Nothing to Say is such a beautiful song. How did it come together? Do you recognize early on during the writing process that you are on to something?

Thank you. I think whenever I’m writing a song, and can immediately sense if the melody is strong, and I knew that song had a strong melody. I know if I go back to listen to a demo multiple times, there’s probably something there. I remember that song specifically, I kept telling my band mates how I felt like it was going to be very good — and kind of had to make the case. Admittedly, the demo sounded terrible. But the song was there. I once heard an interview with Nick Lowe where he said he knows a song he’s writing is good if it sounds like something that already existed but he’d never heard before. Something like that. I felt that with Nothing To Say.


She tells you she will decide on a 5-song-mix tape if there is going to be a second date. Which 5 would you put on? 

1) Teenage Fanclub – “What You Do To Me”

2) David Kilgour – “Fall Away”

3) The Explorer’s Club – “Forever”

4) Matthew Sweet – “Sick Of Myself”

5) Paul Westerberg – “As Far As I Know”

If you could tour the world with two other bands, which two would you chose?

Teenage Fanclub

Tom Petty & the Heartbreakers

How will 2017 look like?

We are going to record and hopefully release a new record. And play more. It should be a good year.

Mike Adams at His Honest Weight – Casino Drone (read/listen/watch/buy)



Sweet Sweet Music talked to Mike Adams about Casino Drone, the favorite song of his 3 year old son, tension in a catchy tune, Glen Campbell and trying to remain super cool.

Casino Drone is a power/indie pop gem. GEM!

Diem Be seems to be everybody’s favorite track. Is that a surprise to you or did you know you had something special right from the start?

It’s a bit of a surprise. We actually recorded a version of that song for a split 7″ with our pals Sleeping Bag a few years before Casino Drone came out. I wasn’t really planning on including it on the album, since it’d already been released, in a way.

But, when I was trying to decide what songs to put on the record I was listening to the recordings a lot in my car, and my son (who was 3 at the time) would often request “Diem Be” by name. It was his favorite one.

That’s when I started to think that maybe that song had a little more to it than I initially realized. If a kid likes it, it has to be kind of good, right? 

Sounds like that track  grew up in the studio. Or doesn’t that make any sense?

No, you totally got me. That song started out with that opening riff, I was just playing it over and over again in my studio at home until the rest of it started to unlock for me. It felt like a real Frankenstein for a while in the demo stages until we started playing it live and got comfortable with the transitions. It came a long way before we got to Casino Drone.


The Razorcake review says: “Diem Be” sounds like it might’ve been taken from a hardcore song. But that’s the feeling I have with more of the songs. The “it can explode now any minute”-feeling. That kind of tension, is that what you are looking for in a song?

I love tension in a catchy tune. It’s a comfortable and effective contrast for me. I grew up attending loads of hardcore shows in my hometown, so even though it’s mostly subconscious, it’s no surprise to me that that stuff leaks out once in a while.

I think Kurt (who wrote the review for Razorcake) and I come from a very similar background, so it’s cool that he recognizes that stuff in what I’m doing now.

Another side to that is that my entire life is about trying to remain super cool in the face of unspeakable tension and anxiety, ha! So, I’m happy that the music I’m making can effectively communicate that.   

There was a day when a review like the AllMusic one would be bring stardom. The music industry changed, didn’t it?

I suppose it has, though I’m admittedly fairly ignorant of the industry. I’ve been making music in my various bedrooms with no money since I was a teenager. I loved doing it then, and I love doing it now. I take a certain amount of pride in what I’ve been able to accomplish just from curiosity and amassing years of experience and making mistakes.

I’d love to be a big fat rich guy with no worries, chowing on a turkey leg with my foot propped up on a gout stool someday thanks to my record-breaking album sales, but I also tend to think of music as this really primitive human thing that’s going to go on existing whether there’s an industry or not.

I’m baffled and content just to exist in some strange space between those two extremes. 


She tells you she will decide on a 5-song-mix tape if there is going to be a second date. Which 5 would you put on?

“All Done Wrong” – Starflyer 59
“Like A Diamond” – Glass Ghost
“Tender When I Want To Be” – Mary Chapin Carpenter
“Wishing Now” – Glen Campbell
“Under Your Spell” – The Range of Light Wilderness
…this question is entirely too hard.

If you could tour the world with two other bands, which two would you chose?

Electric Light Orchestra, and Sound of Ceres

What will 2017 look like? How will you promote Casino Drone?

We’re doing some touring and playing a lot of shows around the midwest and the east coast of the USA this spring. I’d like to start recording again by the summer.

Although, we’ve yet to play abroad, so if anyone reading this wants to make that happen, I’m all ears!


Mike Adams at His Honest Weight @ Daytrotter



Caper Clowns are from Denmark. They just released their debut record, The Buca Bus, a pure pop delight. Sweet Sweet Music talked to Rick Kingo about hygge, songwriting, Oasis, The Divine Comedy and about too many ballads on a mix-tape.

 There is a “Hygge” hype going on over here in the Netherlands. Does that in any way relate to your music? Or is that a stupid question?

You could argue that there is some “hygge” to our brand new single All We Ever Do Is Run (out Monday 9th of January), but that’s pretty much it. It wasn’t actually written that way either, but as soon as we added the banjo, “hygge” just sort of magically appeared.

Does that pure pop sound come naturally to you? Who are your musical influences?

It does. Not always though, and we do sometimes make rockier tunes, but quite a lot of the stuff we write is just pure pop, which is great, ‘cause we love it.

As far as musical influences go there’s of course The Beatles, The Beach Boys and other 60’s bands, but there’s also bands like Oasis, XTC, The Kooks, Panic! at the Disco and many many more.


Lyrics or melodies, what comes first?

Of the 12 tracks on The Buca Bus words only came first once, and that was on Dressed In Flaws, which started out as a poem by our bass player Christian. On the other 11 tracks the music came first, and the words for Dressed In Flaws were actually even heavily re-written after we wrote the music. So usually it’s music first, though we do consider the words equally important.

A Tale of Romance & Magnetic Trains is my favourite song (for now). How did that one came together?

Thank you. That’s one of mine (we are four different songwriters on the album, so it’s always nice when someone picks one of mine as a favourite).
It was actually written very quickly. I just picked up the guitar, started playing and singing and 30 minutes later I had the chords and melody down, and maybe another 30 minutes later the words were done too. Took a few days in the rehearsing room and studio with the band to get the arrangement quite right, but it was definitely one of the fastest to make.


She tells you she will decide on a 5-song-mix tape if there is going to be a second date. Which 5 would you put on?

That’s a tough one. So tough.

I think I’m going to have to pick Don’t Look Back In Anger by Oasis, ‘cause that’s the song that got me into playing the guitar in the first place.

I’d probably have to pick a Beatles song as well, ‘cause they were just pure genius, and I think I’m gonna go with In My Life.

To The Rescue by The Divine Comedy would be on the tape as well, ‘cause it happens to be my favourite song at the moment. I first heard it on Alan Haber’s Pure Pop Radio about a month ago, and I just haven’t stopped listening to it since.

That’s three semi-ballads so maybe I would need to pick something more upbeat like Chelsea Dagger by The Fratellis, ‘cause that one is just a lot of fun.

Finally I’d probably pick one of our own tunes, ‘cause rumour has it chicks dig guys who play guitar. Probably an upbeat one, ‘cause there’s definitely too many ballads on my mix-tape already.

If you could tour the world with two other bands, which two would you chose?

If I could pick anyone that ever existed I’d pick The Beatles and Oasis, both because they’re great and because I think it would be all kinds of fun.

Sadly none of those bands exist anymore, which means I’d pick The Kooks, because they have some quality tunes, are a great live band and I think their fans would really like what we do as well.

I’d also pick Noel Gallagher’s High Flying Birds, ‘cause I go to a lot of their shows all over Europe anyway, so it would save me A LOT of money not to have to pay to get in!

What will 2017 look like? How will you promote The Buca Bus?

We’re going to play a lot of concerts and festivals. At the moment, we only have shows planned in Denmark, but we would of course love to travel and play all across Europe (and the world, but we’ll settle for Europe this time around).

In addition to that we’re going to release a few more singles over the next 6-7 months, which means we will hopefully continue to be on the radio a lot, like we have been with our lead single Pockets.

And we will of course continue to write and record new music, and it actually just so happens that we’re headed back in the studio on Saturday to start working on our next album, which we hope to be able to release some time in 2018.

Listen here  and buy  here


Baroque, Bubblegum and Bittersweet.

Sweet Sweet Music talked to Butch Young. About Mercury Man, “crypto-religious” references, a poppy melody with life-and-death-related imagery , The Trashcan Sinatras and keeping “both feet in”.

Read, Watch & Listen!



The album’s occasionally crypto-religious lyrics may leave you wondering what Young is on about,” writes MusoScribe’s Bill Kopp. How does religion influence your music?

While religion in no way influences my music (the melodic/instrumental aspects), such matters have indeed infiltrated my song lyrics. I did (quite subconsciously) sprinkle-in some “crypto-religious” references.

While I am mindful/curious about “spiritual” matters (for lack of a better word: Big Questions/Theories about the origin/nature/meaning of Life/Love/Death), I’m not at all “religious.” I don’t subscribe to any religious dogma. I interpret religious books and ideas poetically/symbolically – as opposed to literally.

I have a powerful faith in Love/Mercy/Kindness/Karma but not much else. I studied Comparative Religions and Alan Watts along with Bowie’s “Quicksand” lyrics and (post- Beatles) Lennon and Harrison. These songwriters cryptically remarked upon “God/Krishna/Karma” and “the great salvation of bullshit faith.” Some of their lyrics left me scratching my head (till it opened a crack and some light shone in).

My own such allusions tend to employ more of a wink-and-smile than those of the aforementioned late-greats. I figure “tongue-in-cheek” is a more advisable tone to strike within the context of my sugary, four-minute pop shuffles.



Your songs really require the listener’s attention. Only if you listen carefully will the full beauty will be “shown.” Does that make sense?

I think I understand what you mean. There’s a variety of instrumentation, vocal layers, counterpoint, etc. I suppose it does get somewhat busy and baroque in places — which is why I chose certain other places to drop almost everything out for a few bars — to cleanse the listener’s palette with at least a moment or two of sparseness.

I’m fully aware that (depending upon the listener) this polyphonous approach may be considered a plus or a minus. There’s something to be said for “Easy Listening” (not intended here as a pejorative). Headphones (good ones, anyway) never hurt!

 One Foot In is my favorite song, featuring soft melodies and strong lyrics. Can you tell me more about it?

It’s certainly (lyrically) non-linear. Juxtaposing a fun, poppy melody with life-and-death-related imagery. A series of phonetically-suitable and pointedly provocative non sequiturs. It’s vaguely about the perils of indecision, procrastination, tentativeness.

One foot active and the other inactive. One foot in life; the other in the grave. Death is inevitable and we’re all doomed/helpless – so hopefully that realization may serve to heighten our appreciation of the here-and-now and the beauty that surrounds us.

There’s a bit of God/Death-baiting in there as well: “Well come on, let’s have it” and: “Let’s get down to it” and: “That’s right, God damn it!”

You would need quite a band to perform “Mercury Man” live. Possible?

True, I would – though it’s absolutely possible. To perform it with all the parts represented on the album would require one very populated stage. What a delight that would be! I’ve performed some of these songs live – but on each occasion, it was a more scaled-down arrangement of instruments/musicians.

If you could tour the world with two other bands, which two would you choose?

I’m going to assume you mean living and extant bands (?) Otherwise this fantasy could get really far fetched! Let’s see… I’ll go with: Teenage Fanclub + The Trashcan Sinatras.

What will 2017 look like?

It will include lots more writing and recording (getting the next album shaped-up) + collaborating with different musicians (“calling all string quartets and horn sections!”) + more live performances + another music video + broadening the scope of my contacts & relationships + keeping “both feet in.”


Sweet Sweet Music’s Most Popular Q&A’s



Just for fun. And we had a lot of fun this year. Great answers. GREAT ANSWERS!

Thank you all. See you in 2017.

So for re-reading purposes … “our” 5 most popular  Q&A’s of 2016.


5. The Loved

I also have this quote I picked up somewhere, sometime…I put it on a note that hangs on my wall: “Deep and simple is far more essential than shallow and complex.” Both of these lines mean something, form a bit of the base of how my songwriting should work.

Re-read here

4. Terry Malts

We’ve always had a deeper affinity for UK music than for American music. There’s a romance and charisma to it that Americans can’t naturally reproduce. It’s got style.

Re-read here

3. Ed Ryan

My favorite lyric writers in any genre tend to go deep and a little dark. Like most songwriters there’s a fair amount of romantic relationship stuff but I like to go beyond just boy/girl stuff as much as I can. Davies, Townshend and Hiatt are such great storytellers while staying emotionally true…they are my gold standard.

Re-read here

2. The Top Boost

We are massively influenced by 1960’s pop music. It naturally comes out that way while composing. What we went for was just what we thought sounded right. To build each song properly we put together a sound collage filled with our favorite instruments.

Re-read here

1. Nick Piunti

The song is actually about a relationship that ran its course, but using the analogy of a “one hit wonder” band that couldn’t follow it up. The relationship couldn’t survive past the infatuation, love at first site stage. Actually a true story of sorts.

Re-read here

WADE JACKSON – W.A.D.E. (interview)

An album of rich melodies, lush harmonies and reverb laden guitar driven pop. It stands on the cross roads of Americana-English late 70s guitar pop with a dash of Australiana from the same era.

Sweet Sweet Music talked to Wade Jackson.

The story or the melody, what comes the most natural to you? 

The melody definitely comes first for me. I find inspiration from chord structures and melodies to create a story. There are rare times that it all comes together at the same time. Wouldn’t it be great if it was always that easy?

Shooting Star is my favorite song on WADE. Really like the guitar. Build and build till It was perfect? 

Shooting Star seems to be one of the most popular tracks from the record. It was the most played track on radio here in Australia. I really wanted to go for an ethereal sounding outro and I had some great ideas on the original demo. It wasn’t until Liam Judson (co-producer) brought in the Roland Juno-6 keyboard and said let’s layer it up with the guitars that it really came to life. It ended up sounding reminiscent of The Church for me, which is a great thing. I still love that outro, I revisited the record a few weeks back.

How did you record W.A.D.E.?

Liam Judson recorded W.A.D.E. and I performed all instruments. We started at Ripple studio in Sydney City and recorded the drums, from there we spent 4 days tracking bass and guitars at a friend’s Mum’s place in Lawson in the Blue Mountains, that’s where the album really took shape. It was really cold up there and we had a fire going the whole time. It was a perfect environment for us to work in. Some friends came up and made a short video which was really cool. We took some time out after that as I hadn’t finished writing lyrics and had some serious writers block. I was really trying to force lyrics and they were terrible, definitely not from the heart. So over the next year we added more guitars, keys and eventually finished vocals at my place in Tamarama, Sydney. It was a lengthy process but well worth it. I’m glad we took the time to get it right otherwise it may have not turned out like it did. Incidentally, I am re-releasing Whiskey Alpha Delta Echo on Vinyl with a joint label release from You Are The Cosmos in Spain/Europe and my new label Grow Yourself Up here in Sydney. I’m really excited about this as I always intended for this record to be on vinyl.

Did you do things differently for the new record? 

Yes, for my upcoming record “Crown & Cathedral” it was a completely different process. For one is was all written on piano except one song and I didn’t try to write complete tracks, just ideas. Eventually I had amassed a heap of stuff and started matching it all up and putting it together. I wrote almost all the lyrics just before I would track vocals. I had melodies and an idea of what the subject was and luckily it happened really fast. I recorded the entire record and Liam mixed it. 

The music industry has changed a lot (or so they say). What did it bring you? And what not? 

It brought to me the fact that I could no longer afford to go to “recording studios” and record albums so therefore I had to learn how to do it myself which is a little sad because I love the whole romanticism of a beautiful working studio. A lot of what I learned was from watching Liam work and have realised that I actually work better in a comfortable completely controlled environment such as my house or his work space. In saying that I would love to do an album with a full band someday and return to the “recording studio”. The only thing that hasn’t changed for me is the fact that I’m as passionate as ever about creating and playing music. It’s remains completely the same. It’s become a financial ghost for everyone but we still keep plugging away

She tells you she will decide on a 5-song-mix tape if there is going to be a second date. Which 5 would you put on? 

OK, well if I’m trying to court someone then it is a different ball game, but I’d like to know that she likes similar stuff to me but that’s not too important. So here we go
Michael Jackson – Rock With You

Glen Campbell – Galveston 

Fela Kuti & The Africa 70 – Let’s Start

Steely Dan – Black Cow

Scott Walker – It’s Raining Today

If you could pick two bands (any) to tour the world with. Who? 

Todd Rundgren and Blur

What’s up for the next couple of months? 

I’ve just released the first single “She Burn” from my new album that will be released in late February 2017. So lot’s of promotion and hard work until then. I’m also about to record a project with Liam Judson which is something we’ve wanted to do together for a long time. So it’s going to be very busy, which is a good thing right? I’m also awaiting the vinyl release of my new album and W.A.D.E. I’m super excited like a kid at Xmas for that.

Will you still be promoting the record? 

Yes I will. I haven’t played live for quite a while but I am planning to do so to launch my new album. I’m hoping to get over to Europe and Japan later in 2017, let’s see how the reaction is over there. I’ll also be hitting up all my favourite blogs, I think they are such an integral part of the industry nowadays.

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